The Fourth Gospel's
stark contrast of appearances and reality, true and erroneous opinion, light
and darkness, is often seen as a result of Greek and Gnostic influences. But
such contrasts are not limited to this Gospel, nor are they a theme of the
Greeks alone.
The story of the blind man does, however, ring a bell for anyone who has ever
read "The Myth of the Cave" in Plato's Republic. There we
find a story of all humanity chained in a darkened cave throughout life. These
captives can see nothing but flickering images on a wall—shadows, appearances,
illusions—which they take for reality. One prisoner, liberated from the chains,
makes the arduous crawl upward to the world of the shining sun. When he returns
to the cave with his tales of the new-found source of light and the life and
warmth it gives, the prisoners think him crazy. They simply deny his
experience. It just can't be. The chains and the amusing images on the wall are
reality. Thus his conversion is ridiculed; his invitation is resisted.
http://liturgy.slu.edu/4LentA033014/theword_embodied.html
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