Eularia Clarke's Feeding the Five Thousand, a quirky fusion of Stanley Spencer and Beryl Cook, features a fish-and-chip picnic – the hands of a preacher, resting on a pulpit, being the only clue to the spiritual setting. Indeed many of the works address their subjects obliquely; note-cards reveal an evident working-out of doubt or of highly-personalized abstractions of Christianity.
http://www.dailyinfo.co.uk/reviews/feature/1907/The_Colour_Of_Love
